Day 7, part I of I - Decaf

Today (yesterday, technically) was a bit of a dud. Got only about 4.5 hrs of sleep, up at 6am, and completely unable to take a nap. The British Ambassador is the official Fringe Sponsor, and hosted a garden party at the embassy yesterday afternoon, 12:30-2:00. I even brought not-jeans to wear. But I'd had 4.5 hrs of sleep, and I was going to HAVE to take a nap. Cut losses, skip reception with HM Ambassador, work on some writing, finally fall asleep, got a solid hour and half in before my alarm went of at 3pm. Oof.

Almost walk out the door without cheesecake, but I don't have the time to be dumb this time, not like the day before, so right, re-pack, re-check, all's well. To the theater, pack the trunk, even have time for dinner, and actually sit down to have it. Good good good.

Come back from dinner to an ill omen. The lights are on in the kavarna. Hmm. 7:30pm. Red Peter should be 15 minutes into the show. One of the young British volunteers explains that no one came - so they cancelled the show. "I think they were a bit relieved, actually." Um. Maybe.

So, sit in the kavarna, which I never get to do, and run lines.

Funny note about pre-show music. Here's my "playlist," such as it is, as I put together before opening last Friday upon being told that I really should have pre-show music. My apologies should I be violating any copyright here, but we are in a bar and in the States at least, folks pay a licensing fee. Let's just assume that the same thing happens in Prague, shall we?

On to the list:
Coldplay - Death and All His Friends
Blondie - Call Me
Annie Lennox - Ghosts in My Machine
Pony Up! - The Truth about Cats and Dogs (is that they die)
Thievery Corporation - The Heart's a Lonely Hunter
Coldplay - Life in Technicolor
David Byrne - Samara

This last song was filler, to bleed past the final couple of minutes so that if Vilem (my tech) started the music about 27 minutes before my curtain, he could turn it off on a quiet number (it's from the album THE FOREST, by the way, part of an operatic thing Byrne did about the epic of Gilgamesh). Apparently my music selection is a hit, because the staff has taken to putting my 29 minute CD on repeat. As I'm sitting and running lines, a number of Czechs - a couple of tech, a couple of patrons - all starting bopping around to Pony Up!.


If you don't know the song, here's a youtube link for the video:

I worked with the director, Toben Seymour, on another puppet-y video, You Don't Know Her Name (by Maps). It's not as good as this one.

On with the show. I don't have to cancel, but I have a rollicking small house, and like the previous performance, wholly unresponsive. Not as hard tonight, though, as I just did what I concluded last night, and adjusted a couple line deliveries here and there. Two of the audience were from Red Peter, and those guys did me no favors. Gentlemen, you're in the light. I can see you looking at your program, I can see you not looking at me - a lot - and I can see you cleaning your glasses for the third time. It's okay that it's not your cup of tea. It doesn't have to be. But could you at least pretend to pay attention if you're going to be visible? I'm not asking for much beyond professional courtesy, here.


House count: 7

Today I switch to afternoon slot, 17:45-18:45. Weather's markedly cooler. Cross yer fingers for better houses.

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